Chopin: Fantaisie-Impromptu In C Sharp Minor, Op. 66
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Mendelssohn: Overture "The Hebrides" (Die Hebriden: Fingal's Cave)
The Hebrides (overture) - Wikipedia
Concert overture by Felix Mendelssohn Felix Mendelssohn's concert overture The Hebrides (; German: Die Hebriden) was composed in 1830, revised in 1832, and published the next year as his Op. 26. Some consider it an early tone poem.[1][2] It was inspired by
en.wikipedia.org
Symphony No. 3 In A Minor, Op. 56 "Scottish"
1 Andante Con Moto 13:13
2 Scherzo Assai Vivace 4:10
3 Adagio Cantabile 11:05
4 Allegro Vivacissimo 9:35
5 Die Hebriden Overture (Fingal's Cave) 10:03
A Midsummer Night's Dream - Excerpts
6 I Overture 11:51
7 II Scherzo 4:24
8 III Nocturne 6:22
9 IV Wedding March 4:43
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Puccini: Gianni Schicchi "O mio babbino caro"
Saint-Saëns: Samson et Dalila - Mon Coeur s'ouvre à ta voix
Ernesto de Curtis: Non Ti Scordar Di Me
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Cavadia: Umbra
Barca pe valuri
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Martha Argerich Plays Ravel, Tchaikovsky Piano Concertos.
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Sviatoslav Teofilovich Richter (Святослав Теофилович Рихтер, March 20 [O.S. March 7] 1915 – August 1, 1997)
Schubert : Piano Sonata G major D. 894 Op. 78 in Aldeburgh 1977
Schubert: Piano sonata D.960
I. Molto moderato 0:00
II. Andante sostenuto 24:35
III. Scherzo. Allegro vivace con delicatezza 34:41
IV. Allegro, ma non troppo 38:35
Studio recording, Salzburg, 6, 9 & 11.VIII.1972
Recorded: Aug.-Nov. 1972
Nr: Melodiya VICC 5030 (Bodman)
Location: Salzburg
Sound Engineer: Lindner
Producer: Ganss
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Tracks
1 Grave
2 Molto Ralletando (Takt/Bar/Mesure 100)
3 Pesante (T./B./M. 201)
4 Adagio (T./B./M. 229)
5 Adagio (T./B./M. 370)
Variationen Für Orchester, Op. 31 (1926-28) - Variations For Orchestraharmonies and melodies became more complex, tonality became of lesser importance. The process of “transcending” tonality can be observed at the beginning of the last movement of his Second String Quartet (190708). That work is innovative in another respect, too: it is the first string quartet to include a vocal part. The opening words of the Finale, “Ich fühle Luft von anderen Planeten” (“I feel air from another planet”), by the poet Stefan George, have often been symbolically interpreted in the light of Schoenberg’s breakthrough to a new world of sound.
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