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The Hebrides (overture) - Wikipedia

Concert overture by Felix Mendelssohn Felix Mendelssohn's concert overture The Hebrides (; German: Die Hebriden) was composed in 1830, revised in 1832, and published the next year as his Op. 26. Some consider it an early tone poem.[1][2] It was inspired by

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Felix Mendelssohn-Bartholdy


Symphony No. 3 In A Minor, Op. 56 "Scottish"
1 Andante Con Moto 13:13
2 Scherzo Assai Vivace 4:10
3 Adagio Cantabile 11:05
4 Allegro Vivacissimo 9:35
5 Die Hebriden Overture (Fingal's Cave) 10:03
A Midsummer Night's Dream - Excerpts
6 I Overture 11:51
7 II Scherzo 4:24
8 III Nocturne 6:22
9 IV Wedding March 4:43



 


 

Puccini: Gianni Schicchi "O mio babbino caro" 


 

Saint-Saëns: Samson et Dalila - Mon Coeur s'ouvre à ta voix


 

Ernesto de Curtis: Non Ti Scordar Di Me 


 

Mendelssohn: Auf Flügeln des Gesanges 


 

Zsolt Kerestely: Copacul (The Tree)

 

 

Puccini: Le Villi: Se Come Voi Piccina Io Fossi


 

Stanislao Gastaldon: Musica proibita - Angela Gheorghiu & Andrea Bocelli

 

 

Cavadia: Umbra

 

Barca pe valuri

Martha Argerich (born June 5, 1941)

 


 

 

 

Sviatoslav Teofilovich Richter (Святослав Теофилович Рихтер, March 20 [O.S. March 7] 1915 – August 1, 1997)

Schubert : Piano Sonata G major D. 894 Op. 78 in Aldeburgh 1977



 


Schubert: Piano sonata D.960

I. Molto moderato 0:00

II. Andante sostenuto 24:35

III. Scherzo. Allegro vivace con delicatezza 34:41

IV. Allegro, ma non troppo 38:35

Studio recording, Salzburg, 6, 9 & 11.VIII.1972

 

Recorded: Aug.-Nov. 1972

Nr: Melodiya VICC 5030 (Bodman)

Location: Salzburg

Sound Engineer: Lindner

Producer: Ganss


 

Hungarian Dance No. 1 In G Minor WoO 1/1 - Joshua Bell,  Sam Haywood


                                                                                                                                         

Hungarian Dance No. 1 In G Minor WoO 1/1 - Joshua Bell,  Jeremy Denk

 

Hungarian Dance No. 1 In G Minor WoO 1/1 - Hagai Shaham, Arnon Erez *

 


 Hungarian Dance No. 5  In G Minor - Maxim Vengerov


                                                                                                                                         

Hungarian Dance No. 5  In G Minor - Tasmin Little, Piers Lane

 

 

 

Tracks

1 Grave
2 Molto Ralletando (Takt/Bar/Mesure 100)
3 Pesante (T./B./M. 201)
4 Adagio (T./B./M. 229)
5 Adagio (T./B./M. 370)
Variationen Für Orchester, Op. 31 (1926-28) - Variations For Orchestraharmonies and melodies became more complex, tonality became of lesser importance. The process of “transcending” tonality can be observed at the beginning of the last movement of his Second String Quartet (190708). That work is innovative in another respect, too: it is the first string quartet to include a vocal part. The opening words of the Finale, “Ich fühle Luft von anderen Planeten” (“I feel air from another planet”), by the poet Stefan George, have often been symbolically interpreted in the light of Schoenberg’s breakthrough to a new world of sound.

 


 




Frühlingsstimmen Walzer (Voices of Spring Waltz) by Johann Strauss II
                                                                                

An der schönen blauen Donau by Johann Strauss II


 

Die Fledermaus "Csárdás (Klänge der Heimat)" by Johann Strauss II

                                                                               

Wiener Blut "Es Hat Dem Grafen Nichts Genutzt" by Johann Strauss II                                                                                

Wiener Blut "Duett Das Eine Kann Ich Nicht Verzeihn... Wiener Blut" by Johann Strauss II                                                                                

Rigoletto "Caro Nome" by Verdi
                                                                                                                          

Zauberflöte "Der Hölle Rache" by Mozart

 

Margriet Buchberger Sings Zauberflöte "Der Hölle Rache" by Mozart                 
         

Patricia Petibon Sings Zauberflöte "Der Hölle Rache" by Mozart