Georges Bizet: Carmen - Baltsa, Carreras, Ramey - James Levine, Metropolitan Opera Chorus & Orchestra (1989) DVD
Carmen - Wikipedia
Opera by Georges Bizet Carmen (French: [kaʁmɛn] (listen)) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The oper
en.wikipedia.org
카르멘 - 나무위키
이 저작물은 CC BY-NC-SA 2.0 KR에 따라 이용할 수 있습니다. (단, 라이선스가 명시된 일부 문서 및 삽화 제외) 기여하신 문서의 저작권은 각 기여자에게 있으며, 각 기여자는 기여하신 부분의 저작권
namu.wiki
Carmen’s Synopsis
Written as an opera comique, Carmen’s story is told in four acts. Based on Prosper Mérimée’s novella from 1845, the plot is set in Seville and portrays the story of protagonist and tenor Don José, in a narrative of lust and obsession, as he is seduced by the alluring soprano and Spanish gypsy, Carmen.
Expressed through Carmen’s characters and Bizet’s exceptional music, Carmen was pioneering, changing the course of operatic history. Featuring expertly composed melodies, Carmen was an early form of realism in opera, a genre called verismo opera.
Act I
Opening on a town square in the centre of Seville, a group of soldiers are talking. Surrounded by townspeople, one of them, a young peasant girl named Micaëla, enquires about her love, corporal Don José. At the changing of the guard, José returns under the command of Lieutenant Zuniga and is informed that Micaëla is searching for him.
The bell rings in a nearby cigarette factory and a group of female workers emerge, headed by Carmen. Exceptionally beautiful, she flirts with the soldiers, but her attention is captured by Don José. Having ignored her, Carmen drops a flower in front of him. Reaching for it, José is enraptured by her beauty, even when Micaëla returns, bringing a letter from his mother.
His reads the letter, which requests that he marry Micaëla, when a fight starts abruptly in the factory. Seizing Carmen on Zuniga’s orders, José is instructed to escort her to prison. She entices José, persuading him to let her escape and he is subsequently arrested.
Act II
At a local tavern, Carmen and two friends, Frasquita and Mercédès, entertain the soldiers. Zuniga attempts to flirt with Carmen, followed by the triumphant bullfighter Escamillo. Carmen rejects them stating her heart is José’s. As they leave, two smugglers arrive and ask the women to assist with their latest plan. While Frasquita and Mercédès agree, Carmen refuses and awaits José’s imminent arrival.
The smugglers depart and José returns. Carmen is delighted and dances for him until the barrack’s bugle sounds. Readying to leave, Carmen teases his obedience and tells José to prove his love by living freely. Just as he refuses, Zuniga arrives in a rage and demands his return. In a fit of jealousy, José defies him. Instead, the smugglers reappear, restrain Zuniga, and José leaves with them.
Act III
At the smuggler’s hideaway, José begins to miss his former life. As a result, he argues with Carmen who declares she is no longer in love with him. Meanwhile, Frasquita and Mercédès read fortunes, forecasting love and luxury for themselves, but death for Carmen and José.
The smugglers discuss their scheme with the group and depart, leaving José to keep watch. During their absence, Micaëla arrives and hides, watching as Escamillo appears, declares his love for Carmen and quarrels with José. The smugglers return, stopping the fight and Micaëla makes her presence known. She begs José to come home, persuading him after revealing his mother is dying.
Act IV
In Seville, Escamillo arrives to an adoring crowd for his latest bullfight and is joined by Carmen as he enters the arena. Frasquita and Mercédès warn Carmen of José’s presence, rage and jealousy. Carmen decides to face him and put the matter to rest.
José pleads with Carmen, begging her to declare her love and commitment. He asks her to leave with him but she refuses, stating that her heart no longer belongs to him and throwing his ring to the ground. Enraged, José takes his dagger and pierces Carmen’s heart. She dies tragically as the sounds of Escamillo’s victory erupt from the arena.
Tracklist
01 Opening Credits (Original Version)
02 Overture Prelude (Original Version)
03 Sur la place, chacun passe Les Soldats, Moralès (Act 1)
04 Regardez donc cette petite Moralès, Les Soldats, Micaëla (Act 1)
05 Avec la garde montante Choeur des Gamins (Act 1)
06 Filez, filez, vite, vite (Act 1)
07 La cloche a sonne Les Jeunes Gens, Les Soldats, Les Cigarières (Act 1)
08 Mais nous ne voyons pas la Carmencita Les Soldats, Les Jeunes Gens (Act 1)
09 "L'amour est un oiseau rebelle" Havanaise (Act 1)
10 Scène: "Carmen, sur tes pas nous nous pressons tous!" (Act 1)
11 Quels regards! Quel effronterie! (Act 1)
12 "Parle-moi de ma mère!" - "Attends un peu maintenant" (Act 1)
13 Choeur: "Au secours!" (Act 1)
14 "Voyons, brigadier.." (Act 1)
15 Tra la la la ... (Act 1)
16 "Ou me conduirez-vous?" (Act 1)
17 Chanson et Duo: "Près des remparts de Seville" (Act 1)
18 Voici l'ordre; partez... (Act 1)
19 Entracte between Act I & II (Original Version)
20 Les tringles des sistres tintaient Carmen, Mercédès, Frasquita (Act 2)
21 "Allons, messieurs, messieurs"-"Vivat! vivat le torero (Act 2)
22 Couplets: "Votre toast, je peux vous le rendre" (Act 2) : Toreador song
23 "Allons, messieurs.." - "Toreador, en garde!" - "Pour- quoi etais-tu si pressé de les voir partir?" (Act 2)
24 Quintette: "Nous avons en tete une affaire!" (Act 2)
25 "Amoureuse..." - "Halte-la! Qui ve la?" (Act 2)
26 Enfin ... Tu as mis le temps! (Act 2)
27 Je vais danser en votre honneur Carmen, Don Jose (Act 2)
28 La fleur que tu m'avais jetée (Don José) (Act 2)
29 Non, tu ne m'aimes pas! (Carmen, Don José) (Act 2)
30 Hola! Carmen! Hola! Zuniga, (Don José, Carmen, Dancaire, Remendado, Les Bohemiens) (Act 2)
31 Entr'acte (Act 2)
32 ecoute, compagnon, ecoute! les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaire, Remendado (Act 3)
33 Halte! nous allons nous arreter ici! Dancaire, Remendado, Don José, Carmen (Act 3)
34 "Melons!" / "Melons!" / "Coupons!" Frasquita, Mercédès (Act 3)
35 "Voyons, que j'essaie a mon tour.." - "Eh bien, nous avons apercu" (Act 3)
36 Quant au douanier, c'est notre affaire! Carmen, Mercédès, Frasquita, Les Bohemiennes, Les Bohemiens, Dancaire,)
37 Nous y sommes Le Guide, Micaëla (Act 3)
38 Je dis que rien ne m'epouvante Micaëla (Act 3)
39 "Mais... je ne me trompe pas..." - "Je suis Escamillo, torero de Grenade." Micaëla, Escamillo, Don Jose / Escamillo,)
40 Hola, Jose! Carmen, Escamillo, Dancaire, Don Jose, Les Contrebandiers, Les Contrebandieres (Act 3)
41 Entr'acte Between Acts Iii & Iv (Act 3)
42 A deux cuartos! (Act 4)
43 Les voici, les voici (Act 4)
44 Si tu m'aimes, Carmen (Act 4)
45 C'est toi! - C'est moi! (Act 4)
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Mahler: Rückert Lieder "Ich bin der Welt abhanden gekommen"
Rückert-Lieder - Wikipedia
Collection of songs by Gustav Mahler Rückert-LiederTextpoems by Friedrich RückertLanguageGermanComposed1901 (1901)–02Performed29 January 1905 (1905-01-29)Published1910 (1910)MovementsfiveScoring Rückert-Lieder (Songs after Rückert) is a collecti
en.wikipedia.org
나는 세상에 잊혀졌네
내가 그렇게 많은 시간을 허비하곤 했던 그 세상에;
그렇게 오랫동안 내가 세상에 잊혀졌기에,
내가 죽은 것과 다름없다라고 믿어지는 건 당연하지.
나 또한 세상사에 전혀 관심없기에
내가 죽었다고 생각되는 것이 당연시된다면.
나 또한 부정하기 어려우리,
왜냐면 진실로 나 또한 세상에 죽은 존재이기에.
나는 세상사의 번잡함에 죽은 존재
그리고 조용한 영역속에 안식하노니!
나는 나만의 천국, 나만의 사랑, 나만의 노래속에 홀로 사노라!
▣ Reference
- Dietrich Fischer-Dieskau, Karl Böhm, Berliner Philharmoniker (1964) DG
- Kathleen Ferrier, Bruno Walter, Wiener Philharmoniker (1952) Decca
- Elisabeth Schwarzkopf, Bruno Walter, Wiener Philharmoniker (1960) Music &Arts [Vienna Farewell Concert]
- Janet Baker, Sir John Barbirolli, New Philharmonia Orchestra (1970) EMI
- Maureen Forrester. Ferenc Fricsay, RIAS Sinfonieorchester (1958) Praga
- Irmgard Seefried, ??? (???) Video
- Magdalena Kožená, Claudio Abbado, Lucerne Festival Orchestra (2009) Video
- Magdalena Kožená, Sir Simon Rattle, Berliner Philharmoniker (2012) DG
- Alison Browner, Norichika Limori, Württembergische Philharmonie Reutlingen (2001) Tempus
- Anne Schwanewilms, Malcolm Martineau (2015) Onyx
- Angelika Kirchschlager, Christoph Poppen, Deutsche Radiophilharmonie Saarbrücken-Kaiserslautern (2009)
- Angelika Kirchschlager, Helmut Deutsch (2010) Quinton
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Hanne-Lore Kuhse (28 March 1925 – 10 December 1999)
Hanne-Lore Kuhse - Wikipedia
German operatic soprano Hanne-Lore Kuhse (28 March 1925 – 10 December 1999) was a German operatic soprano.[1] Life and career[edit] Plaque at the house in Schwerin, where the singer lived. Born in Schwaan, Kuhse first studied singing with a private teach
en.wikipedia.org
Tracklist
01. Wagner: Tannhäuser - Dich, teure Halle, grüß' ich wieder
02. Wagner: Der fliegende Holländer - Johohoe! Traft ihr das Schiff im Meere an
03. Wagner: Lohengrin - Einsam in trüben Tagen hab' ich zu Gott gefleht
04. Wagner: Tristan und Isolde - Mild und leise wie er lächelt
05. Beethoven: Fidelio, Op. 72 - Abscheulicher! Wo eilst du hin?
06. Händel: Julius Cäsar, HWV 17 - Es blaut die Nacht
07. Mozart: Don Giovanni - Ich grausam? O nein, Geliebter! Sag mir nicht, o mein Geliebter, mein Verlangen sei Grausamkeit
08. Verdi: Macbeth - Dieser Flecken kommt immer wieder!
09. Verdi: Don Carlos, Act IV - Aria: Du, Im Irdischen Wahn Einst Befangen (Elisabeth)
10. Mussorgsky: Boris Godunov, Act III - "Nein, Ich Glaub' Nicht Euren Liebesworten"
11. Berg: Wozzeck Op.7 - Und Ist Kein Betrug in Seinem Munde Erfunden Worden
Hanne-Lore Kuhse - Lieder von Wolf, Reger, Berg (1973:2007) Berlin
Tracklist
Hugo Wolf (1860 - 1903)
01 Wolf: Auch kleine Dinge
02 Wolf: Morgentau
03 Wolf: Blumengruß
04 Wolf: Bedeckt mich mit Blumen
05 Wolf: Verborgenheit
06 Wolf: Anakreons Grab
07 Wolf: Über Nacht
Alban Berg (1885 - 1935)
08 Berg: Sieben frühe Lieder - Nacht
09 Berg: Sieben frühe Lieder - Schilflied
10 Berg: Sieben frühe Lieder - Die Nachtgall
11 Berg: Sieben frühe Lieder - Traumgekrönt
12 Berg: Sieben frühe Lieder - Im Zimmer
13 Berg: Sieben frühe Lieder - Liebesode
14 Berg: Sieben frühe Lieder - Sommertage
Max Reger (1873 - 1916)
15 Reger: Abend op.79c Heft I Nr.1
16 Reger: Um Mitternacht blühen die Blumen op.79 c Heft I Nr.2
17 Reger: Auf mondbeschienenen Wegen op.79c Heft II Nr.3
18 Reger: Der Maien ist gestorben (ohne Opuszahl)
19 Reger: Süße Ruh' (ohne Opuszahl)
20 Reger: Waldeinsamkeit op.76 Nr.3
21 Reger: Wenn die Linde blüht op.76 Nr.4
22 Reger: Warte nur! op.76 Nr.10
23 Reger: Die Mutter spricht op.76 Nr.28
Piano: Helmut Oertel
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Ingeborg Hallstein - Singt Mozart Konzertarien (1969)
Tracklist
* Conducted by Giuseppe Patanè,Das Mozarteum Orchester Salzburg
Ingeborg Hallstein - Singt Mozart (1993) Munich
Tracklist
01 Die Zauberflöte: Der Hölle Rache
02 Die Zauberflöte: Ach, ich fühls
03 Die Zauberflöte: O zittre nicht
04 Die Entführung aus dem Serail: Martern aller Arten
05 Exsultate jubilate, K. 165: Exsultate Jubilate
06 Exsultate jubilate, K. 165: Fulget amica dies
07 Exsultate jubilate, K. 165: Tu virginum corona
08 Exsultate jubilate, K. 165: Alleluia
09 Laudate Dominum, K339
10 Popoli di Tessaglia, K. 316
11 Ma che vi fece, o stelle, K. 368
12 Schon lacht der holde Fruhling, K. 580
13 Vorrei spiegarvi, oh Dio, K.418
Heinrich Hollreiser, Symphonieorchester des Bayerischen Rundfunks (1-3) Year: 1965
Wilhelm Schüchter, Berliner Symphoniker (4) Year: 1977
Kurt Eichhorn, Münchner Rundfunkorchester (5-9) Year: 1969
Giuseppe Patanè, Mozarteum-Orchester Salzburg (10-13) Year: 1965
Ingeborg Hallstein - Wikipedia
German coloratura soprano (born 1936) Ingeborg Hallstein (born 23 May 1936) is a German coloratura soprano, known for the purity and range of her voice. She had an international career as a guest singer on the opera houses of Europe and was a member of the
en.wikipedia.org
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Verdi: La Traviata
La traviata - Wikipedia
From Wikipedia, the free encyclopedia Jump to navigation Jump to search 1853 opera by Giuseppe Verdi La traviata (Italian pronunciation: [la traˈvjaːta]; The Fallen Woman)[1] is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Fran
en.wikipedia.org
Libretto
라 트라비아타 - 나무위키
이 문서에 스포일러가 포함되어 있습니다. 이 문서가 설명하는 작품이나 인물 등에 대한 줄거리, 결말, 반전 요소 등을 직·간접적으로 포함하고 있습니다. 프랑스 파리의 사교계를 주름잡던 코
namu.wiki
Roles
Violetta Valéry, a courtesan - soprano
Alfredo Germont, a young bourgeois from a provincial family - tenor
Giorgio Germont, Alfredo's father - baritone
Flora Bervoix, Violetta's friend - mezzo-soprano
Annina, Violetta's maid - soprano
Gastone, Alfredo's friend - tenor
Barone Douphol, Violetta's lover, a rival of Alfredo - baritone
Marchese d'Obigny - bass
Dottore Grenvil - bass
Giuseppe, Violetta's servant - tenor
Flora's servant - bass G. Tona
Commissioner - bass
Violetta, at a party in her house, is moved to learn that the young Alfredo Germont is in love with her. There are, however, hints already that she is suffering from consumption. They set up house together in the country, but Violetta secretly sells her jewels to meet the expenses they now incur. Alfredo learns of this from Violetta's maid, Annina, and goes to Paris to raise money. In his absence his father arrives, seeking to persuade Violetta to leave Alfredo, whose behaviour prejudices the marriage chances of his sister, as well as his own prospects. Violetta sacrifices her own feelings and accepts an invitation from her friend Flora Bervoix which will take her back to her old life, now under the protection of Baron Douphol. She leaves a note for Alfredo, telling him of her decision, while old Germont tries to comfort his son, without revealing anything of Violetta's true motives. Alfredo then bursts into the party at Flora's house and insults Violetta, whom he finds with her new protector. She falls back, fainting, as the second act closes. In the third act Violetta is at home, near to death. Germont has told his son of the sacrifice she had made, and Alfredo now returns, holding her in his arms as she dies.
La traviata (The Fallen Woman) is one of those operas that has retained a firm position in current repertoire, never failing in its effect. The prelude to the first act uses the tender and melancholy music that will later precede Violetta's death, as well as her plea to him to love her. The first of these returns in the Prelude to the third act. At Violetta's there is a lively drinking-song or Brindisi, Libiamo (Let us drink), led by Alfredo, and as the guests go into the next room, he declares his love for her In Un dì felice (One happy day). Her response to his declarations is heard in her later reflective Ah, fors'è lui (Ah perhaps it is he my heart desires). In the second act Alfredo considers the happiness that life with Violetta has brought him in De'miei bollenti spiriti (Fervent my dream of ecstasy). Germont's attempts to remind his son of their home, Di Provenza il mar, il suol (The sea, the land of Provence) have provided baritones with a moving aria, and there is later contrast in the masquerading gypsy and Spanish dances at the house of Flora Bervoix. There is, of course, much else in a work, which, although set in 1700, might equally be supposed to have a contemporary setting and relevance in the Paris of the 1850s, an element of realism less apparent in historical dramas of kings and princes.
La traviata discography - Wikipedia
The following is a partial discography of the many audio[1] and video[2] recordings of Giuseppe Verdi's opera, La traviata. Based on the 1848 novel La dame aux Camélias by Alexandre Dumas, fils, La traviata has been a staple of the operatic repertoire sin
en.wikipedia.org
Reference
▣ "E strano, e strano...Follie, follie...Sempre Libera"
- Callas, RAI Turin, Gabriele Santini (1953)
- Callas, La Scala, Carlo Maria Giulini (1955)
- Callas, Theatro San Carlos Lisbon, Franco Ghione (1958)
- Moffo, Rome Opera orchestra and chorus, Giuseppe Patanè (1968)
- Cotrubaș Bayerisches Staatsorchester, Carlos Kleiber (1976)
▣ "Teneste la promessa... Addio del passato"
- Callas, RAI Turin, Gabriele Santini (1953)
- Callas, La Scala , Carlo Maria Giulini (1955)
- Callas, Theatro San Carlos Lisbon, Franco Ghione (1958)
- Zeani, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni (1957)
- Tebaldi, Membri dell'Orchestra del Teatro alla Scala, Antonino Votto (????)
- Tebaldi, ... (1950's)
- Olivero, Concertgebouw Amsterdam, Fulvio Vernizzi (6 May 1967)
- Cotrubaș Bayerisches Staatsorchester, Carlos Kleiber (1976)
- Gheorghiu, Orchestra of the Royal Opera, Covent Garden, Sir Georg Solti (1994)
Kate Lindsey - Thousands of Miles (2017)
Tracklist
01 Kurt Weill: Nanna's Lied 3:24
02 Kurt Weill: a. Pirate Jenny / b. Barbara Song (From The Threepenny Opera) 4:23
03 Kurt Weill: Trouble Man (From Lost In The Stars) 3:35
04 Alma Mahler: Hymne 5:19
05 Kurt Weill: Je Ne T'Aime Pas 4:42
06 Kurt Weill: a. Thousands of Miles / b. Big Mole (From Lost In The Stars) 4:41
07 Kurt Weill: Don't Look Now 3:01
08 Erich W. Korngold: Schneeglöckchen 2:51
09 Alma Mahler: Die Stille Stadt 3:05
10 Erich W. Korngold: Mond, So Gehst Du Wieder Auf 4:10
11 Kurt Weill: Lonely House - We’ll Go Away Together (From Street Scene) 5:43
12 Kurt Weill: Der Abscheidsbrief 3:18
13 Kurt Weill: Denn Wie Man Sich Bettet, So Liegt Man (From Rise And Fall Of The City Of Mahagonny) 4:33
14 Kurt Weill: a. Buddy On The Nightshift / b. Berlin Im Licht 3:40
15 Alexander Von Zemlinsky: Und Hat Der Tag All Seine Qual 4:18
16 Alexander Von Zemlinsky: Selige Stunde 2:15
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J. Strauss II - Wiener Blut - Hallstein, Kollo, Kusche, Koller & Anton Paulik (1971) Operetta
Tracklist
1. Wiener Blut : Einleitung: "In Den Jahren 1814 Und 1815 & Opening Credits
2. Wiener Blut : Erster Akt "Was HeißT Das, Der Graf Ist Nicht Zur Stelle?! ... Nr. 1a Entree: "Ich Such Ihn Dort"
3. Wiener Blut : "Hallo! Anna!"
4. Wiener Blut : "Hm! Die Schmecken!" Nr. 2 Duett: "Gruß Gott, Mein Liebes Kind"
5. Wiener Blut : "Ja, Was Zum Teufel Ist Denn Los?"
6. Wiener Blut : Nr.3 Duett: "Schreiben Wir Halt Dem Terutscherl"
7. Wiener Blut : Nr. 4 Duett: Wunsch Guten Morgen, Herr Von Josef"
8. Wiener Blut : "Also Josef, Wo Bleibt Denn"
9. Wiener Blut : Nr. 5 Finale I: "Des Landes Reuß-Greiz-Schleiz
10. Wiener Blut : "Freu Mich Unendlich, Sie Zu Sehn!"
11. Wiener Blut : "Es Hat Dem Grafen Nichts Genutzt"
12. Wiener Blut : Nr. 8: "Du Hier?" - "Jawohl!"
13. Wiener Blut : Zweiter Akt "Vorsicht! Vorsicht!" - Polonaise
14. Wiener Blut : "Oh, Da Steht Der Premierminister"
15. Wiener Blut : Nr. 7 Duett: "Das Eine Kann Ich Nicht Verzeihn ... Wiener Blut"
16. Wiener Blut : "Puh! Das Ist Wieder An Langer Tag" ... Nr. 9 Szene Und Duettino: "Du SußEs Zuckertauberl Mein"
17. Wiener Blut : "Da Bin Ich, Pepi!" ... "Geh, Schau, Mein Lieb`S Schatzerl"
18. Wiener Blut : "Gestatten, Gnadigste?" ... "Ach, Das Konnte Ihm Passen"
19. Wiener Blut : Nr. 8 Lied: "Als Ich Ward Ihr Mann" ... "Graf Zedlau!"
20. Wiener Blut : "Die Sind Wirklich Delikat!"
21. Wiener Blut : Tanz - "Wo Ist Denn Die Reuß-Greiz-Schleitzerin?
22. Wiener Blut : "Hubsch!" - "Ja."
23. Wiener Blut : Nr. 11 Finale Ii: "Ich Habe Gewonnen"
24. Wiener Blut : "Bei Uns In Wien"
25. Wiener Blut : Dritter Akt: "Sowas" - "Ja, Der Herr Kagler!" ... Nr. 12 Zwischenakts-Musik Und G`Stanzeln: "Geht`S Und Verkauft`S Mei G`Wand"
26. Wiener Blut : Nr. 13 Sextett: "Soll Ich Sie Suchen?"
27. Wiener Blut : "Hoppla!" ... "Wiener Blut"
11. "Es Hat Dem Grafen Nichts Genutzt"
15. Nr. 7 Duett: "Das Eine Kann Ich Nicht Verzeihn ... Wiener Blut"
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Leonard Bernstein: Chichester Psalms
https://en.wikipedia.org/wiki/Chichester_Psalms
Chichester Psalms - Wikipedia
From Wikipedia, the free encyclopedia Jump to navigation Jump to search Choral composition by Leonard Bernstein Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra.
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Leonard Bernstein: Kaddish Symphony / Chichester Psalms
Sony Classical – SMK 60595
Released:
1998
Tracklist
Kaddish, Symphony No. 3 (To The Beloved Memory Of John F. Kennedy)
Vocals – Felicia Montealegre
1 1. Invocation. Kaddish 1 8:23
2 2. Din-Torah. Kaddish 2 16:00
Mezzo-soprano Vocals – Jennie Tourel
3 3. Scherzo. Kassish 3. Finale. Fugue-Tutti 18:31
Choir – Columbus Boychoir
Chorus Master [Columbus Boychoir] – Donald Bryant
Chichester Psalms - For Chorus And Orchestra
4 1. Psalm 108 (Verse 2) & Psalm 100 (Complete) 3:33
5 2. Psalm 23 (Complete) & Psalm 2 (Verses 1-4) 5:36
Alto Vocals – John Bogart
6 3. Psalm 131 (Complete) & Psalm 133 (Verse 1) 9:14
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